Abducted in London

Part 3

Sarah's punishment post took pride of place in the far corner of the
dungeon and comprised a six inch diameter hardwood post, embedded in
the concrete of the basement. It was approximately seven foot tall and
was padded with high density foam rubber, secured to the post with
velcro fastenings. The foam padding could be removed if it was desired
to make the slave more uncomfortable in his or her confinement. Sarah
had used her design skill in dressmaking to create a triple thickness
silk twill envelope, much like a sausage skin, which fitted snugly over
the padded post and encased it in luxurious silk. She always used white
silk as she thought it made the best contrast with the sweating bodies
of her slaves who were often bound to the post with brightly coloured
silk restraints. The white silk also allowed her to keep track of the
variety of coloured silk scarves she used in gagging and blindfolding
her captives. As she often needed to use upwards of ten scarves to
triple gag, blindfold, hood and collar particularly recalcitrant slaves
it was important she be able to identify each individual restraint and
its purpose. She had a number of coverings, as the silk needed washing
after each confinement. As she enjoyed keeping her slaves in tight and
inescapable silken bondage for long periods of time she normally used
the padded cover as it kept the slave in better condition and allowed
them to be kept restrained for longer. Two days was her record so far
for keeping a slave bound to the pole. The young man she had kept there
had been referred to her by a Mistress friend of hers for failing to
show the appropriate degree of respect, and she spent much of the two
days bringing him close to orgasm and then stopping. Every few hours
she had unwound the silk muffling which bound his head against the
post, removed the silken gag and the huge and slimy acetate square that
packed his mouth in order to keep him hydrated. But instead of
providing pure water for the hapless young man to drink she had spiked
his water with caffeine powder so that he remained fully awake and
alert throughout his ordeal, even during the early hours of the morning
when she had relied upon the mains operated vibrating butt plug to keep
him in torment while she slept for a few hours.
Because of the length and severity of his confinement, she had bound
him in a standing position, but for Robyn she had decided on a more
stringent kneeling hogtie with her ankles crossed behind the post and
drawn tightly up to meet her wrists, which would also be crossed and
tightly bound behind the post. It was a particularly arduous position
but it would allow Sarah to wrap a bolt of silk tightly around her body
to create a pleasing silken sculpture. She enjoyed creating sculptures
from her slaves. It did mean that she had to impose the most stringent
bondage to create a motionless sculpture, but she enjoyed the aspect of
rendering her slaves helpless almost as much as she did in creating the
sculpture. She also planned to use extensive doses of caffeine to keep
Robyn awake throughout the night, and would increase her discomfort by
using the large white acetate scarf to pack her mouth. Acetate had a
wonderful property of going all slick and slippery when exposed to
saliva and after the gag had been in place for about ten minutes the
acetate scarf became saturated with saliva and started to slip down
towards the back of the slave's throat. Constant effort was required by
the slave to prevent the scarf causing a gag reflex and it severely
raised the intensity of the slave's bondage. It would also help her to
train Robyn to avoid a gag reflex. This was essential if Sarah wanted
to try some of the more intense silk gagging schemes she had planned in
her mind.
Such thoughts created a stirring in Sarah's loins as she was drawn back
to the muffled and agonized noises coming from behind Robyn's ring gag.
Picking up a large Chanel blue and gold silk square from the table she
shook out the rich folds and used her fingers to poke the scarf deep
into Robyn's mouth. The ring gag prevented Robyn from stopping the silk
as it filled her mouth and quickly reduced her protests to a quieter
level. "You really don't know when to stop, do you Robyn? I was going to
just tie you standing to the post but your continued squealing and
complaining means that I have no option but to discipline you. You may
not know what a kneeling hogtie is at the moment but you most certainly
will by this time tomorrow".
Sarah proceeded to untie the silk scarves binding Robyn until the young
Australian, glistening with sweat from her ordeal, was left with just
the blindfold with its silk scarf eye pads, and the ring gag with a
corner of the gold and blue Chanel scarf sticking out. She undid the
spreader bar and untied the silk scarf holding her elbows tight
together. The tightness of the elbow bindings had created deep furrows
in the flesh of Robyn's upper arms, creating a symmetrical pattern
which Sarah admired for a brief moment. There were so many aspects of
bondage that she enjoyed, it was difficult to stay focused on the job
at hand.
Snagging her finger through the large nose ring that dangled from the
piercing in Robyn's septum she led the quietly sobbing woman over to
the silk padded post and forced her to kneel in front of it. "Right, I
want you to shuffle backwards so that you back up against the post with
your legs either side of it". Robyn tried to comply but Sarah had to
lend a hand and push her back until her bound wrists were up against
the post. Although the likelihood was very remote given her position,
Sarah did not wish to take any chances of Robyn trying to get away so
she took a silk shawl and folded it into a band some 6 inches wide
before wrapping it around the post and Robyn's neck several times,
tying it off behind the post where Robyn's fingers would not be able to
reach.
She knew that there would be considerable strain placed on Robyn's
ankle binding over the next 12 hours so she used an extra large Sarah
Russell to bind Robyn's ankles. The Sarah Russell was her own
invention, a variety of different sized silk twill scarves made with
only two corners and an elliptical shape where the other two corners
would have been. This allowed considerably more material to be
incorporated in a knot tied in the centre of the scarf and was perfect
for knot gags. It also provided more thickness of material when rolled
into a silken rope thus increasing the strength of the binding.
Crossing one ankle over the other she rolled the two metres of thick
silk into a rope and proceeded to wrap and cinch the ankles until they
were almost buried in silk rope and welded to each other. "Perfect",
she thought to herself as she considered briefly her next move. Untying
Robyn's hands to retie them behind the post would be the most risky
manoeuvre she had attempted since having captured the young Australian
several days earlier. Robyn was well muscled in the arms and, if her
weakness and aches were all a ruse, she might conceivably be able to
grab her and force Sarah to untie her. "Better not to take chances",
she thought as she went to the table and picked up a triple layered
white hood with ref motifs. When used to pacify a reluctant slave this
was a fearsome instrument of torment in its own right as the three
layers of rich silk cut down the amount of air getting to the wearer
quite considerably. When worn with a mouth filling gag or one which
covered the nose, it made any slave instantly docile and keen to
please. Although impossible for a slave to tell the difference, this
particular hood contained a dark secret, for the middle layer of silk
had been replaced by an acetate liner which was far less porous than
the silk layers either side of it. When the drawcord was snugged tight
at the slave's neck the silk and acetate hood became progressively
airtight, and the wearer would run out of usable air in about three
minutes if the hood was not removed. She had designed the hood for use
on Evelyn, a female slave of hers who had an erotic asphyxiation
fetish. Although made of the finest white silk twill, Sarah had used
her exceptional artistic talent to illustrate the white silk with
crimson red drawings of the hood in use. Alternate head and shoulder
images showed the hood when blown up around the wearer's head and when
sucked in to wrap tightly against the contours of the wearer's face. So
perfect was the printing on the scarf that it was possible to see that
the female figure was wearing a mouth filling gag beneath it. With
slave Evelyn completely bound and immobilized in a bondage chair in the
centre of the dungeon and seated on a huge dildo fixed to the seat, her
mouth would be packed with a gag inducing acetate scarf and she would
be severely gagged with a further four large silk scarves. Sarah would
then use a variety of silk hoods of different layers and thicknesses to
reduce her slave's air intake. The slave never knew how long the
session would last or which hood had the acetate lining, but she knew
that Sarah would probably use it at some point in her session, so there
was always the apprehension that the next hood might rob her of breath
completely.
"Robyn, I want you to know exactly what I am going to do to you now so
that you can understand the implications if you decide to try to
escape. When I put this hood on you and lock the drawstring in place at
your neck, you will start to find it more difficult to breathe. This is
intentional. In about 3 minutes you will have exhausted all the air.
Had your mouth not been full of that exquisite blue and gold Chanel
silk square, you might have been able to draw in enough air to last for
four minutes. But perhaps you should have thought about that before you
annoyed me! Anyway, I'm going to hood you and tie the drawcord behind
the post in a double knot. I then plan to untie your wrists so that I
can refasten them behind the post. If you attempt to resist or lash
out, I will simply step back and wait for your air to run out
underneath the hood. If you are obedient and do everything that I say,
it should take just under three minutes to secure your arms and wrists
behind the post. I will then remove the hood. Is that clear?"
Had Robyn's eyes not been obscured behind several layers of blinding
silk Sarah knew that she would have seen fear in Robyn's eyes. It was a
shame to some extent that Robyn was blindfolded so securely because
Sarah loved to see the fear and apprehension in the eyes of her slaves.
It gave her a sexual thrill like no other and she actively sought to
extend the endurance of her slaves so that she could expose them to
this particular style of torment. On this occasion however, she had to
rely on Robyn's frightened body language and the sudden absence of
muffled complaint and protest that, up until now, had flowed quietly
from behind the blue and gold silk that packed her mouth. The three
layers of silk and acetate slipped easily over the silk of Robyn's
blindfold and ring gag and Sarah snugged the drawcord of the silk hood
tight around Robyn's neck. She then tied the drawcord around the back
of the post, securing it with a knot before stepping back to see the
result. Robyn had suddenly gone silent and all that could be heard from
beneath the white silk shrouded blob that had been Denise's head was a
deep rasping breath as Robyn tried hard to breathe through the silk
that sucked tight against her face, the folds closely following the
contours of her face. As she breathed out, so the hood became a round
inflated globe for a few seconds, before an intake of breath caused the
silk to be sucked in. And so the cycle continued. Sarah realized that
the imposition of a tight silken gag beneath the hood must be making
the experience quite frightening for Robyn and she thought to herself,
not for the first time, that a carefully constructed hood was an
excellent tool to impose instant control on an unruly slave. Sarah
stood there mesmerised as the white silk hood sucked against Robyn's
face. She was struggling to get air through the reluctant layer of
acetate, raising into stark relief the outline of the blindfold and the
bindings of the silk padded ring gag that kept her securely gagged and
silent. As Robyn breathed out and the silk became a balloon, Sarah came
out of her reverie, realising that she only had a little time left in
which to secure Robyn's arms and wrists. As Robyn was drawn back
against the post by her bound ankles and the two layers of silk shawl
holding her neck to the post, Sarah had some problems in reaching the
silk scarves binding Robyn's wrists. As she wrestled with the knots in
the fine silk twill scarves she had used to restrain her captive, she
realised how severely she had bound Robyn in the first place.
Eventually they came free and she was able to pull Robyn's arms from
behind her and let them hang at her sides. Robyn, clearly eager to be
freed from the asphyxiating silken hood, moved her hands behind the
post on her own accord.
"I'll put your hands behind the post when I am ready, do you
understand?", she said hissing the words closely into Robyn's silk
covered ear, "or alternatively I'll slightly free the drawcord and
leave you here bound and struggling to breathe for the next hour".
Robyn's hands very quickly fell back to her sides and Sarah went to the
table to collect some more scarves. Scooping up several Sarah Russell's
of the heaviest silk satin quality and five smaller crepe de chine silk
handkerchieves, she returned to her captive.
Rolling a two metre Sarah Russell satin scarf into a silken rope, she
clasped Robyn's hands together in a prayer position behind the post and
and proceeded to bind her wrists tightly together. She was careful to
cinch each loop nice and tight before winding the scarf between the
tight binding to further secure the bonds. Satisfied that Robyn's
wrists were firmly secured and would not come apart under the pressure
of the hogtie, she turned to the fingers. Although it was not necessary
for the security of the hogtie to bind Robyn's fingers together, she
always felt that it added that little bit more discomfort and feeling
of helplessness to the slave's experience. For that reason alone she
reasoned, it was worth spending time over. Folding each silk
handkerchief into a band an inch wide she took each pair of fingers in
turn and bound them tightly together from the base of the finger to the
top joint, thereby ensuring that the fingers were completely welded to
each other. As she tightened and tied off the silk band binding Robyn's
thumbs together Sarah became aware of a frantic gurgling from the front
of the post. She must have taken longer than she thought immobilizing
Robyn's hands, for the white and crimson silk hood covering Robyn's
face was damp and plastered tightly against her face, preventing any
air getting to Robyn's nose. Sarah quickly slipped the lock on the
drawstring and eased the drawcord away from Robyn's neck, allowing some
air to enter from the bottom of the silken hood. It would have been
seen as a sign of weakness to take the hood off at once, so Sarah
inserted her finger just sufficiently to allow the hood to reinflate
and for the silk to fall away from Robyn's nostrils. " I hope you see
what could happen to you if I felt that you were being uncooperative
Robyn. Because you will always be stringently bound, I can at any time
reapply this hood to punish you. I have lots of other punishments that
you will come to fear more than the hood, but I will introduce those to
you later. In the meantime, lets get you finally sorted for the night.
Its getting late and I have some of my friends coming over want to look
at my new captive."
Sarah took one of her long thick scarves and threaded the end through
the silk binding Robyn's wrists and the tight band binding her crossed
ankles together. Tying the two ends in a half knot she hauled on the
ends so that Robyn's ankles rose to meet her bound wrists. A squeal of
discomfort escaped the muffling silken hood as Robyn's wrists and
ankles moved satisfyingly close to one another, more squeals emerging
from the front of the post as Robyn's limbs were strained together.
"There. I think that will hold you for tonight. Lets just tidy up these
ends". Sarah tied off the scarf in a tight knot and then took the two
loose ends around the front of the post and crossed them in the middle
of Robyn's tummy before taking them back behind the post and tying them
tightly. Robyn's stomach was pulled tightly back against the padded
post as Sarah cinched the silk scarf viciously. She then had a thought
and moved in front of the post where she spoke softly into Robyn's silk
covered ear. "I know I told you I was going to make you wear the ring
gag until tomorrow. Well, I've changed my mind. I hope that doesn't
trouble you but I am fickle like that. I think maybe an alternative gag
would be more appropriate for you tonight" Robyn made a vaguely
appreciative noise deep behind the Chanel scarf packed deep within her
mouth. "Oh, I wouldn't thank me just yet. You may not consider it a
reprieve when you find out what I am going to use instead".
Sarah fully loosened the drawcord in the acetate lined silk hood and
drew it upwards, sliding it over Robyn's face and lifting it off,
careful not to dislodge the tight padded blindfold which Robyn had
been wearing since the start of her captivity. The acetate lining had
done its work well and Robyn was dripping with sweat as she sucked the
fresh air deep in through her nose. Sarah then untied the knot in the
silk shawl that was so effectively holding Robyn's neck back against
the post, and unwrapped it so that Robyn's neck was now free from the
post. She then took hold of the corner of the blue and gold Chanel and
drew it out through the padded ring that was wedged and tied so deeply
behind Robyn's teeth. The silk was soaked from the saliva it had
absorbed and a trail of spittle followed it out and ran down Robyn's
chin to drop onto the padded floor of the dungeon. She next turned her
attention to the padded ring gag. The two scarves tying the ring in
place had  created deep furrows in Robyn's cheeks as they disappeared
behind her head and she pulled Robyn's head forward so that she could
reach the knot at the back. She had clearly been over enthusiastic when
tying the ring gag in place and it took her several minutes to tease
out the damp and tightly knotted silk. Allowing the scarves to fall
forward, she took hold of the end of each scarf close to Robyn's mouth
and gently prized the ring forward until it popped out. The effect was
immediate, as a long whistling gurgle of relief came from Robyn's lips
as she tried desperately to relieve the ache in her jaw from the long
period of immobility. "Right, you are uniquely privileged to be
completely ungagged. It won't happen very often around here and if you
say a single word I will reapply the ring gag, stuff your mouth with
silk and tie on the acetate hood again. Do we understand each other?"
Robyn was in no place to do anything other than agree, hogtied as she
was on her knees, bound back cruelly to the padded post and blindfolded
so effectively. She very carefully nodded her head but said nothing.
"Good". Sarah had picked up the plastic glass of caffeine drink that
she had prepared earlier and placed a straw to Robyn's lips. "Here,
drink this slowly, it will refresh you and stop you from becoming
dehydrated". Robyn took the offered straw into her mouth and sucked
gratefully at the cool liquid, blissfully unaware that she was
condemning herself to a night of torment and discomfort, in which her
senses would be heightened and where sleep would be impossible. "There,
that's better", said Sarah as Robyn drained the last of the drink. "I
think I can promise that you will remember tonight for a very long time
to come. Now to explain your gag for tonight. In my hand I have a very
plain white shiny scarf. It is a large square of about one and a half
metres and although it will feel like silk when I pack it into your
mouth, you will find fairly quickly that it is made of acetate not
silk. Let me explain the qualities of acetate so that you are left in
no doubt. The acetate does not absorb moisture like silk, it just goes
all slick and slimy when covered with saliva. It shrinks slightly with
the moisture and then, because it is so slippery, it starts to slide
towards the back of your throat. If left untouched, it would hit the
back of your throat and cause you to gag. Normally of course you could
just take it out of your mouth, but you my dear are tightly hogtied and
you will soon have your mouth firmly packed and bound with a collection
of my finest silk scarves. So you will have to use your tongue to keep
the slimy acetate away from your throat. That in itself is not too
difficult, but you will have to keep it up all night until I arrive in
the morning to take it out. If you've been good of course, if not I
may leave it in until tomorrow evening - the choice is yours. The drink
I have given you contains a strong stimulant that will keep you alert
and awake all night, but you will still find it very tiring indeed to
keep the acetate at the front of your mouth". Sarah drew the straw from
Robyn's mouth and shook out the shiny acetate scarf. Taking hold of a
section from the middle of the scarf she rolled it into a sausage shape
about two inches in diameter so that none of the edges or seams were
visible. She knew from experience that the shape would help it to slide
towards the back of Robyn's throat and would make it difficult for the
young Australian's tongue to get a grip on it, heightening her
discomfort. "Open wide my dear, and just remember that I have the hood
handy." Robyn complied at once and opened her mouth as wide as she
could. It wasn't very wide because she was still stiff from the
prolonged ring gagging, but Sarah had enough of an opening to force
open the jaws with her fingers and insert the shiny sausage shaped plug
of acetate deep into Robyn's mouth, pushing hard enough so that the
rounded end of the acetate sausage rested right at the back of Robyn's
jaw. It lay on top of Robyn's tongue which was forced down against her
jaw by the amount of fabric invading her mouth. "There," said Sarah,
pleased with the first part of the gag. "Now to make sure it stays
there and ensure that you can't dislodge it". Sarah picked up a handful
of previously selected silk scarves from the table and started to
prepare the next stages of the gag. The first scarf, a deep red heavy
silk scarf of her own designer label would be packed on top of the
acetate. There wasn't much room left in the acetate filled mouth but
Sarah managed to prod and poke the bright red silk deep between Robyn's
cheeks and around her teeth and gums, so that when the acetate started
to shrink, the space would be taken by the crimson scarf. A cleave
scarf was next. A Hermes Bride de Bains scarf was rolled into a sausage
shape and forced between Robyn's teeth before being bound tightly
behind her neck with a triple knot. Sarah was severe with the tightness
of the scarf and with the knotting, which would probably need the scarf
to be cut off in the morning. Once the gag was in place it would remain
so whilst her friends visited, and she had a reputation to maintain.
Gags were her acknowledged speciaility and the effectiveness of her
silencing of Robyn would doubtless be remarked upon tonight. It was now
time to secure Robyn's gagged and blindfolded head back against the
padding of the post. She took a 3 metre long white silk satin scarf,
folded it to a band of silk three inches wide and proceeded to wind it
tightly over the existing Bride de Bains cleave gag and around the
post. Making sure that the band of white silk covered Robyn's nose and
her chin, each additional winding forced Robyn's head deeper into the
foam of the post and ensured that Robyn would be breathing through
several layers of the white silk. When the scarf was finally cinched
and knotted over the top of the cleave scarf in Robyn's mouth four
windings later, her head was welded immovably to the post. Sarah knew
from experience with some of her more determined slaves however that a
single head to post binding could slip or be loosened after time by the
slave, so she took an identical white satin scarf and repeated the
tight winding over the padded blindfold that Robyn had worn for the
last 24 hours. She tied this scarf off at the back of the post, pulling
it deep into the padding of the post to make it fully secure. There was
now virtually no chance that Robyn would be able to move her head, but
Sarah was nothing if not thorough. She took a third white scarf and fed
the end between Robyn's neck and the post so that it was below the post
binding scarf. Then she drew the ends up so that they rested on top of
the blindfold cinching scarf and cinched the two bindings tightly
together, much as one would with a cinching between wrist bindings. In
this case of course the wrists were Robyn's head and the post. Robyn
mewled at the much increased pressure around her head but the cries of
discomfort and fear were effectively muffled by the densely packed and
bound silk that swathed the lower part of her face. Sarah could hear
Robyn starting to fight the acetate gagging plug, which by now would
have soaked up some of her saliva and would be starting to become
slippery. It would only be a matter of minutes before Robyn had to
start using her tongue to keep the slimy acetate at bay.
Sarah stepped back to admire her handiwork. She would shortly attach the
industrial strength vibration machine to a selection of Robyn's rings
before shrouding the young Australian in windings of brightly couloured
silk. For the moment however, she took a few minutes to admire the
tightly bound figure, gagged so heavily with acetate and silk and
hogtied in the most secure and uncomfortable manner against her
unforgiving punishment post.

end of Part 3

all comments gratefully received
silklovers@yahoo.com

In Part 4 Robyn finds out how a vibrating machine designed to stop
concrete from setting too fast can be used to good effect on piercings
and Sarah decides to place Robyn on display in her scarf shop.